Amy C. Lund, Handweaver
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"My goals are to combine natural yarns and traditional weave structures to highlight form and function in classic fabrics for unique hand towels, table linens, scarves, blankets and rugs. I believe that art can be expressed in well-crafted everyday items, no matter how utilitarian. The materials and processes involved in making objects are just as important as the finished pieces. Many techniques have evolved through the history and traditions of each craft. I practice these foundations in my development as a weaver of fine textiles." - ACL
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Beginning with an interest in fibers and handspinning as a young child, my skills expanded over the years to include weaving. My long-standing interest in textiles, their production, and social history has led to working in the museum field doing hands-on demonstrations at several Shaker museums in New England and academic research on historical and technical aspects of ethnographic textiles and design. In 1993, I graduated with a Masters in Science in Textiles and Related Art from the University of Rhode Island. Several years ago, I followed my dream and became a full-time weaver.
People often ask what has drawn me to my craft. I enjoy the order and meticulous nature of weaving. It also involves you very much in the moment as you cannot skip ahead, but must work one thread at a time and one row at a time to build your fabric. The process is methodical, but never stagnant as the fibers each have their own character and the patterns develop as I go along. The process is also repetitive, but needs constant attention to create even tension and consistency. Some people think it takes a lot of patience, but I don't think about it because I enjoy the time I spend focussed on the details. Every piece I work on makes me think of many more combinations to work on. I feel I am continually learning with each project and building upon my skills.
My work has appeared in Early American Life Magazine's Annual Directory of Traditional American Crafts for several years and is included in The White House collections in Washington, D.C. Currently, I make and sell my work at my studio and gallery in Tiverton, RI and participate in craft shows throughout the year.
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FAQs
Q: What is the difference between an Artist, Artisan and Crafter? What is High Art versus High Craft?
A: These terms have been used in several different ways over time by many different people. Art can be seen in useless or purposeless, merely decorative objects, or in utilitarian, everyday pieces.
Artists: Artists seem to have a vision that others often cannot see or cannot explain and are able to translate ethereal things to the more basic level that most people begin to understand or appreciate.
Artisans: I recently heard it said simply that a true actor is one who can do everyone else’s parts. I believe this is true of Artisans. They are skilled at understanding processes and materials and often take up or can adapt to other media. I know true Artisans who prepare their own splints from logs for basketry, spin their own wool, blow their own glass, or smelt and hammer their own sculpture and jewelry. Formerly I would have considered these people true Craftsmen, though in the modern world, that term now has its own connotations created from the availability of crafting materials and craft stores and craftiness.
Crafters and Craftspeople: Those who can take prefabricated materials and assemble them into artistic items. They buy materials from manufacturers and piece them together.
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Q: Why should we buy local when there are cheaper imported goods of seemingly similar quality?
A: Consider how many people in this country are struggling to make ends meet through the work of their own hands and resources. For some things it is practical to use manufactured goods and disposable items, of course, while for other things handmade items reflect a quality of life and thought taken into consideration and on the value of material goods and resources around us.
Some basic living costs are higher in this country than in others costly in relative proportion to our economy than that of the same goods in another economy. The difference comes in using the value systems out of context to their cultures and socio-economic worlds.
Suggested Readings:
- A Way of Working: The Spiritual Dimension of Craft Edited by D.M. Dooling
- The Work of Craft: An Inquiry into the Nature of Crafts and Craftsmanship by Carla Needleman
- The Art Spirit by Robert Henri
- Art as Experience by John Dewey
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Q: How are prices determined and why do they seem so high?
A: Materials cost, Hours of Labor, Skill of the Artisan.
Materials: Most Artisans do not skimp on materials, but use the best they can get. They seek until they find that which fits the process they are working with for specific desired results, though sometimes accidents do happen with fortuitous ends. Quality is important for stability, endurance, and lasting nature as well as for appearance and workability.
Hours of Labor: Most Artisans do a lot of hand work, rather than machine work. They also pay meticulous attention to detail to make unique pieces. Consider the skill which you expect from other skilled laborers and the training that they go through. Artisans do the same. It is a learned skill, though some do come by their crafts more easily than others.
Skill of the Artisan: True Artisans train over the course of many years in their crafts. Artisans attend workshops on techniques and study under other artisans. Most products are the culmination of many years of practice and experience gained from success and failures. There is a dedication to certain aesthetics. Take time to recognize that you may get a glimpse into the world of crafts through one or two classes, and through trials and error you may learn to master them. To many artisans, the first several years of work should be considered of little value, only part of the learning process. If asked, many will say they are still learning and will not acknowledge their mastery as others see it. In fact many see their whole lives as a process of growth.
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